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Most Real Photo Postcards, abbreviated RPPC, have information on their backs to help in identifying the manufacturer of the photographic paper that was used by the postcard publisher. If you can identify the paper manufacturer, you can approximate the age of the old postcard. If the postcard has a stamp box, click on one of stamp box links below. If there is no stamp box, or a generic stamp box, go to Postcards Backs. All entries on one page may be slow to load. Real Photo Postcards are photographs that are reproduced by actually developing them onto photographic paper the size and weight of Postcards, with a Postcard back.

If the photo is printed, you will see that it is made up of a lot of little dots, the same as a photo printed in a newspaper. A Real Photo Postcard is solid, no dots. Postcard paper types and descriptions from period literature and advertisements prepared by Jeremy Rowe.

Hubby Martin A. Modernized versions made today. Population: Scarce. Carbon prints are known for images superior to the contemporary albumen and gelatin-silver prints. They come in a variety of colors, often having deep maroonish browns.

The image surfaces have a subtle relief effect seen when held at a near degree angle and under the correct light. Parts of the surface are slightly higher than other parts. If the carbon print is held at a certain angle to the light, the shadows of the image should appear shinier than the highlights.

If there is cracking in the surface, large cracks appear in the dark areas only. The prints are not susceptible to the severity of deterioration of albumens, gelatin-silvers and salt prints, and will not have silvering. In the s the prints were often mounted, including as cabinet cards and cartes de visite. Sometimes the mount will have text saying it is a carbon print. Under the microscope the fibers of the paper are visible in the image.

Tiny flecks of dark pigment are often visible. The image should appear to lie on the surface of the paper, instead of being imbedded in it. The Woodbury-Gravure is a closely related photomechanical print also from the s, and will often have the name printed beneath the print. Whether or not it is a carbon print, Woodbury-type or Woodbury-gravure, you know the photo is antique.

The carbon print was invented in and used until the s. Along with the platinum print, the carbon print is considered by collectors and historians to be the pinnacle of early black and white color paper photography, with an image of highest quality and lacking the typical aging problems of more common prints. These will often have modern subjects and will usually be sold as modern, often by the photographer.

The paper can often be identified as modern with a blacklight see later chapter. The modern carbon prints themselves are scarce and considered high quality. Cibachrome Key: Modern high quality, ultra glossy color photos Duration: s to today Population: Scarce but can be found. They are cheaper to make than the rarer dye transfer. The colors have a depth that gives them a magical, almost three-dimensional quality.

The colors are bold, some think too bold. Cibachromes were introduced in and are still used today. They are on resin-coated paper plasticy feel both back and front. Though there is matte-style cibachrome, the cibachrome images usually have ultra-glossy, liquid-like surfaces unlike any other photograph. If there is a border, it is often jet black. Avoid touching the image, as fingerprints show up easily.

The paper is much stiffer than other most other photo paper. As with the dye transfers, the images are resistant to fading. This makes them suited for display. The high quality image and super glossy image makes the cibachrome easy to identify. Due to their relative scarcity, high quality images and durability, cibachromes are desirable and can add to the value of a modern photograph.

The common c-print photo is sometimes mistaken for a cibachrome.

This photo of the King brothers is a tintype probably taken circa You may not think to look on the Internet for help in dating old photographs, but actually it's the best place to go. A variety of websites offer tips and tools, and they have the great advantage of being able to provide visual aids. 11) Real photo postcards 12) Daguerreotypes, ambrotypes and tintypes 13) Other metal and glass photographs 14) Rarer paper proceses: dye transfer, cyanotype, platinum print, salt print, etc 15) Stamps 16) Judging if the image was made from the original negative Press & Publishing Photos Some photographic paper has the manufacturer's brand name printed on the back. Knowledge and study of the different brandings is useful in dating photo paper. The manufacturer's branding is that wallpaper-like printing across the back of a photo. If you turn over the modern color snapshots on your refrigerator you will see branding.

Note that there are cibachromes with white borders. Most cibachromes are much, much glossier than the average c-print. Duration: Invented inthough popular in the late s and early s. Examples made today. Architectural blueprints are cyanotypes. The images are on matte paper, back and front. Under the microscope, the paper fibers can be seen in the image area. The images usually do not fade or age as with the more popular gelatin-silver and albumen prints. Vintage cyanotypes come in a variety of styles, including real photo postcards and cabinet cards.

Though rarer than gelatin-silver prints, many collectors do not place a premium on the process as the find they blue unappealing. In recent years there has been a revival of the process amongst artists and hobbyists. These modern versions are usually sold as modern, fluoresce brightly under blacklight see chapter 25 and can have modern image subjects. The image on the cover of this book is a microscopic view of an early s cyanotype showing the paper fibers and blue color. Microscopic view of a cyanotype, showing paper fibers.

Duration: s to today Population: Rare. Many consider the modern dye transfer to be the highest form of color photograph. The images of unparalleled quality and depth and do not fade. Introduced indye-transfers are only made by a handful of people today. The process takes great skill, is time consuming and expensive. The photos are fiber based matte surface instead of glossy both on front and back, which is unlike the other color photos.

Chomogenic photos are usually glossy on one or both sides, while Cibachrome and Polaroids are glossy on both sides.

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The super high quality images, matte back and front and high price make dye transfers easy to identify. Their resistance to fading makes them great for displaying at home or in public. Giclees can sometimes resemble dye-transfers as giclees can be on matte paper.

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However, the giclees are quickly identified due to the fine dot pattern in the image. The dye-transfer is a close relation to the earlier cabro print, which also offers quality and long lasting true color images.

The gum bichromate, bromoil and oil pigment prints are closely related with a distinct artistic look. These processes gave the photographer unique control over the image. is a platform for academics to share research papers. For example, Messier [14] notes that exposing a photographic print to ultraviolet light may yield clues about the print's age by revealing the presence of optical brightening agents in the paper Author: Paul Messier. Most Real Photo Postcards, abbreviated RPPC, have information on their backs to help in identifying the manufacturer of the photographic paper that was used by the postcard publisher. If you can identify the paper manufacturer, you can approximate the age of the old postcard. If the postcard has a stamp box, click on one of stamp box links below.

Due to artistic manipulation, these prints do not have the detail of most photographs and often resemble charcoal drawings or watercolors sketches. They can come in various colors, and the image lacks the aging problems of many other processes.

Early gum bichromate prints are rare, highly desirable and usually expensive. The process was replaced by the bromoil process. The earliest examples, s to turn of the century, are bichromate prints. Examples after the s are most likely bromoil or other oil pigment prints. A few modern hobbyists and artists make modernized versions of these prints. At sale, these modern versions are usually clearly advertised as modern and can fluoresce brightly under a blacklight.

Revived in recent years. Population: Scarce but not impossible to find. The platinum print, also known as platinotype, is a premium process that produces high quality images.

They are usually used in fine art photography and not for things like snapshots or press photos. A few examples have browns. The blacks are usually pitch black and the greys silvery.

The whites can be snow white. The images do not fade as with the plentiful albumen and gelatin-silver prints. Under the microscope, the paper fibers can be seen in the image. A transfer image may rub off on any paper that has been in contact with the image over time. After decades of hibernation, a new version of the platinum print was invented in recent years and used in the fine arts.

Most modern platinum prints are clearly represented as modern and often have clearly modern subjects. Palladiam is a closely related print, and is often lumped together with platinum prints. Palladiums resemble platinum prints but are a bit more susceptible to aging deterioration. Gelatin silver prints are sometimes mistaken for platinum prints, as they can have similar black and white tones. Gelatin silver prints typically, though not always, have glossy images, while platinums are matte.

The paper fibers cannot be seen in the image gelatin silver print, while they can be seen in the platinum print. Salt prints and platinum prints are also sometimes confused, as they can have similar image tones and microscopic paper fibers can be seen in both images.

However, the salt prints are from an earlier time with earlier subjects, and usually have significant wear and image deterioration.

The commonly found giclee prints see chapter 28 are sometimes mistaken for platinum prints, as the giclee can mimic the platinum tones and can be on matte paper. Though there were other brands of instant self-developing photos, the brand name Polaroid has always constituted most of the market. Polaroid was bought out by Fuji. Polaroids were introduced in and are still used today.

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Polaroids have been used in daily life family picnicsprofessionally use dentists, police work, test photos for magazine shoots and in the fine arts. They are usually small, but can be large.

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At their best Polaroids have beautiful colors and sharp images. Polaroids come in color and black and white. The photos are thick and resin-coated, with a plasticy feel on back. Polaroids have a distinct white border, many with a wider bottom edge. The photo image will have a different gloss than the surrounding white border. The image will have a gloss, while the border will be closer to matte.

To a large degree Polaroids are self authenticating. This is due to their one-of-one, on the spot development.

Details concerning the type of photographic paper used can also assist the dating process. Just prior to WW1 many postcards and general photographs in NSW were issued on 'Empire' series paper stock. Kodak did not have a total monopoly. Thinking about the purpose or intent of the image helps and a bit of lateral thinking can do wonders! Oct 14,   Both types were printed on paper or card stock, and originally created through a type of albumen printing which was used to bind images to paper. Carte de Visites (CDVs or Cartes) The Carte de Visite was made in by Louis Desire Blanquart-Evrar and is known as the first pocket-sized photograph. Feb 10,   Rag versus wood the early history paper was made from rags. Starting about the mid s, rag pulp began to be replaced by wood pulp. Wood became a popular choice due to the scarcity of rags and because wood pulp paper was cheaper to first successfully made American wood pulp paper was manufactured in Buffalo, New York, in

The Polaroid transfer and emulsion transfer are experimental, fine art manipulations of the Polaroid that produce distorted, artistic images.

Each of these is usually original and unique, and can be on non photographic paper. Revived in late s and late s. Population: Rare. Salted paper prints, also known as salt prints, were made either with a paper negative called a Collotype negative or a glass negative. The image printed from a paper negative lacks detail and has a romantic, fuzzy quality. The grain of the paper negative often appears in the image. Salt prints made from a glass negative have a clearer image, without the grain of the paper negative.

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The earliest salt prints were made from a paper negative. These prints are held in high esteem today as extremely rare and historically significant. Even poor grade examples are expensive. Salt prints usually have matte surfaces and are on very thin paper, similar to albumen paper.

The images are brownish-red, purple or brownish-yellow. The images usually show heavy signs of age. This includes fading, often around the edges in a halo effect, foxing and soiling. Salt prints sometimes have light hand coloring. Under the microscope, the fibers of the paper are visible.

Unlike the more common albumen print in which the image seems to float on the paper surface, the salt print image is imbedded in the fibers. The platinum prints, however, have superior image detail and lack of image fading and other deterioration. Also, the platinum print was used much later, which means the photographic subjects and fashion are from a later era. The plentiful albumen print is sometimes mistaken for the salt print as they both existed in the s. The image surface of the albumen is usually, though not always, glossy which distinguishes itself from the common matte surfaces of the salt prints.

Though uncommon, there are matte albumen prints that are hard to distinguish from salt prints.

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The albumen prints mostly come from a later era and can be identified by the modern dress of the subjects in the image and style of mounts. Salt prints from glass negatives were also made for a period in the late s and modernized versions are made today. The modern paper is often thicker than from the s and will often be identified as modern with a blacklight chapter The stamping can help tell us much, who was the photographer, the company the photo was made for magazine, Associated Presswhy and when it was made.

Sometimes a stamp tells us the age of the photo. While a stamp or tag does not in and of itself authenticate a photo stamps are rarely forge it helps the collector in making a judgment.

The stamp of George Burke with his Belmont Avenue Chicago address will rightly communicate to this new collector that the photograph was made or otherwise authorized by the famous baseball photographer. It also shows that the photograph was official, recognized by the photographer as legitimate. Some photos will have the stamp of both the photographer and a company. A stamp from a magazine, newspaper or news service tells the collector that the photo is legitimate and was made or owned by that organization.

This makes identifying photos by famous photographers simple. A Joseph Hall cabinet is easy to identify, because his name will be on the mount. Realize that many photographers and companies made printed later and later generation photos. Looking at other qualities, including paper, image and getting a second opinion will help determine if the photo is original.

The collector should study and keep record if just mental of the various stamps in his or her collecting area. Following the auctions and sales is great way to see a variety of stamps. Asking fellow photograph aficionados for their input on a stamp is good. Study the history of companies and biographies of photographers. Learned baseball photo collectors look for the stamp of the New York photographer George Grantham Bain.

Not only is Bain famous for his images of Ty Cobb, Christy Mathewson and other baseball legends, but he died in This means his stamp proves a photo is old. A later chapter covers in more details stamping on news service photographs. Knowledge and study of the different brandings is useful in dating photo paper.

If you turn over the modern color snapshots on your refrigerator you will see branding. Photo paper with branding can be dated to a general or specific time as the text and graphic design was changed regularly by the manufacturers.

This is particularly important when you are looking at a modern photo, where the image and paper difference between a photo and a reprint may not be obvious. There are way too many brandings to be listed and discussed here. It would take a book to catalog and date all the brandings ever used. You should keep a notebook or digital image file of the different brandings you come across. This includes brandings on all the recent photos you have.

Count the digits in the zip code The zip code in the photo stamp can identify many photos printed years after the image was shot. If a stamp has an address with a 5 digit United States zip code, the stamp dates to or later.

The United States changed the zip code from 2 to 5 digits in The stamp shown below is on a photo showing the Irish writer James Joyce in The five digit US zip code clearly shows that the photo was printed many years after the image was shot. The stamping includes the datephotographer Horst P. If all photos had this kind of stamping, life would be easy. By definition, an original is made from the original negative or transparency. The key is that only the original negative can produce the crystal clearest photographic image.

Later generation negatives can produce good but not as good of images. If the image is crystal clear and with tremendous detail, it is fair to say the image was printed from the original negative. An original image is not always perfect.

It could have been shot out of focus or poorly developed. If an original image is blown up photo is much larger than the negative or if it is a distant shot, there may be a graininess or blurred detail. Images from the s often have fading.

Many images are obviously second generation as the images are rough, the detail faded out or having other problems. Often times you can see the picture of a scratch or scrape or wrinkle that was on the original.

When a collector is looking at a photograph that is supposed to be original, he should ask himself if the image is consistent with the photo being original. In cases the image will be so clear and detailed that you will be certain it is first generation. In other cases, the image may not be perfect but can still be considered consistent with the image being original.

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If a photograph is vintage and the image is crystal clear with great detail, the photo is most probably an original. These photos include wirephotos made by wire services like Associated Press and UPI, original photos shot by magazine and newspaper photographers and photos made by Hollywood movie studios and rock music labels to promote their upcoming products to the press.

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The photos come in a wide range of quality, prices, sizes and styles. Some are large originals with crystal clear and artistic images, while others are small, later generation photos with lesser to poor images.

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The vast majority of press photos are gelatin-silver prints black and white and chromogenic color. It includes the date and name of the photographer Ray Gora. Most press photos are easily identified due to text on the photo.

You may some day buy press photos from a photographer who worked for a famous magazine or photo service. Sometimes you have to appreciate a photo for its artistic merits alone, aware that you may never know its history or identity. The occasional mystery never hurt anybody. For example an engraving printing plate was created by the craftsman using handheld metal tools to carve the design into a steel plate.

With the invention of photography in the early s, publishers wanted to translate the great detail of a photograph onto the printed page.

The practical technology to do this would not exist for many decades. For most of the s, major newspapers and magazines still employed professional artists and craftsmen who made woodcuts and wood- engravings a form of woodcut to make printed pictures.

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The hand carved printing plates often took weeks to make. The invention of the halftone printing process, often aptly called the dot process, replaced lines with dots, allowing for greater detail. In the process, a photographic image is projected through a special screen, resembling a screen door, and onto a photochemically sensitized printing plate.

The screen transforms the image into a series of tiny dots on the printing plate, which then appear in the resulting print.

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These tiny dots allow for a much finer detail than engravings, etchings and woodcuts. While halftone can't produce the quality and detail of a real photograph it can make a realistic representation. This process is used today to illustrate newspapers, magazines and books, but also trading cards, advertising signs, postcards, cereal boxes and more.

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If you take a strong magnifying glass or microscope and look closely at a picture in a magazine on your coffee table you will see that it is made up of tiny dots. The first newspaper halftone pictures appeared in the early s. Halftone pictures were slowly adopted by newspapers, magazines and books across the world. The Rise of News Service Photos While magazines and newspapers have always had their own photographers on staff, the twentieth century saw the dramatic rise of professional news and photo services.

These services, like Associated Press and ACME Newspictures, made, gathered and supplied photographs to magazines, newspapers, books and advertising across the country and around the world. While the big news services had their own photographers, they also distributed images shot by newspapers, smaller photo services and independent photographers. These photo services were massive, full time photo gatherers and distributors.

But you would need one of the big news services to get the national and international images and news for your paper. If you look at a newspaper from or today, you will see that many of the local pictures were shot by local staff photographers, while many of the other images are credited to Associated Press, UPI and similar.

Newspapers and magazines also regularly received publicity or press photos from movie studios, music companies, fashion labels and even sports teams promoting the latest product.

As some news services had brief histories, the presence of their stamps help date the photograph. For example, an Associated Press photo may also have the stamp of the newspaper that bought it from AP.

Stamping on the back of an original Vogue magazine photo shows who made the photo, where and when. Photographs were shipped by plane, train and even boat. Originally, this was just a pipe dream. Even today the idea of sending photographs over the telephone sounds incredible. The invention of the wirephoto process eventually led to overnight photograph distribution.

The wirephoto process allowed photographs to be transferred through telephone lines. The process required a large, expensive wirephoto machine both at the source and at the receiving end.

The original photograph was placed inside the wirephoto machine. These impulses were sent through the telephone wire to the identical wirephoto machine at the receiving end. At the receiving machine the impulses were translated to light that was used to develop the image onto photographic paper. The development would take minutes to over an hour, as the photographic paper was slowly exposed line by line.

In fact, the ultimate way to identify the wirephoto the received image is to look for the tiny horizontal or vertical lines in the image. The result was that that the receiving newspaper had a copy of the original photograph that it could use to make prints for the newspaper. This wirephoto had an identical image to the original photograph, but of lesser quality.

A wirephoto could be sent simultaneously to many receivers. As you can imagine, this made photograph distribution quicker and more efficient than transporting a box of photos by train. The early machines were large, overly expensive and the process unreliable. The early wirephotos were usually of poor quality and hostage to the fickleness and breaks of the telephone lines.

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When someone sent a wirephoto across the telephone lines, it often took more than an hour and the sender had no idea if a recognizable image would be received at the other end.

Beforewirephotos were only used for especially important, breaking news. Starting the following year, the wirephoto system became practical. Soon after other major news services installed their own wirephoto systems. Though press photos were still distributed the old fashioned way, and a newspaper and magazine still hired its own photographers, the wirephoto system was a dominant form of international photo distribution from until the mid s.

Beyond wirephotos: laserphotos, digital, computers While the wirephoto process was a revolution, it still was not perfect. It was only a matter of time for the system to be replaced by modern technology. In the s, Associated Press instituted the Laserphoto system. This system sent images to subscribers more quickly and with higher resolution images. Associated Press ated this system in Full color images were transmitted at the speed of seconds per photograph.

These images were displayed on monitors and distributed in digital form. The result was newspaper and magazine pictures of much higher quality and the more common use of color pictures.

Today, a variety of news service photos are still made, many in full color. As with old news service photos, they often have identifying stamps or tags on the back, or the information is printed as part of the image on the front. Many photographs are distributed digitally, from computer to computer, and a hard copy is never made. For example, if you are a magazine editor and your magazine is a subscriber to Corbis, a photo service founded by Bill Gates, you can get your images online.

You log on at the Corbis website, go through the online image libraries and select which images you want. Corbis gives you the high quality versions in digital form and charges you for their use.

Corbis owns many of the images, but also represents thousands of photographers, magazines, newspapers and other organizations. For a particular photo, part of your payment will go to Corbis and part will go to the photographer or magazine that owns the copyright. Just as with Associated Press or United Press inCorbis and other modern photo services are giant clearinghouses of images for the publishing and advertising industries.

Most stamps identify the maker or issuer of the photograph. This can include the news service, newspaper, photographer, music label, fashion company or television studio.

On an old photograph you will occasionally find a stamp for a photo service or other company that you have never heard of before and that went out of business many decades ago. Below are some most common US news and photo services. Early on known as United Newspictures. Was bought out by United Press in the s.

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Associated Press Photos AP. AP wirephotos existed s. AP Laserphotos s Bain News Service, s. One of the earlier news services. Founded by famous photographer George Grantham Bain. All of his photos are old, and most are originals with sharp and clear images. Many of his photos have image titles and other notes in the image in white writing written on negative, printed as part of image.

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Central Press Association, of Cleveland, existed for many years starting in the early s. Their stamp often includes the date, which makes for easy dating of their photos.

This means the Culver stamp can appear on both an early and a modern photo. Culver bought out much of the Bain News Service archives, so many Bain photos can also have a Culver stamp. Harris and Ewing: Famous Washington D. Can find their photos of sports to politicians. International News Major news service, with many International News stamped photos on market.

It made both originals and wirephotos. Also made a small number printed later images-ala s photo of Bronco Nagurski in s. As the International News name ceased to exist afterall International News stamped photos are old. Below are the specific International News stamps used and their specific dates.

Existed in the early s. Also famous for their commercially sold stereoview photographs. The N. Another name for United Press, the United Press Association stamp is believed to only have been used only during the s. UPI made originals and modern photos of modern subjects.

May 26,   The discovery that an analysis of the base paper for photographic prints held potential for the dating of 20th Century photographic papers also owes to work performed on questioned Man Ray and Lewis Hine photographs. In the case of Man Ray, this work was performed by the Felix Schoeller Company in Schoeller, an.

These reprints can have high quality images, as UPI had a huge archive of new and old negatives. World Wide Photos, to Present. They made originals and wirephotos. Looking at the just listed news services and their dates of existence, you can see why some stamps will give a boost in price. While AP existed for a long time, collectors know that a Keystone View or International News Photos stamp assures that the photograph is old.

This can make it difficult to identify their source and even whether or not they press photographs. Sometimes a photograph has different stamps.

For example, there can be a stamp for the photographer and a stamp for the news service he worked for. If a news service obtained the archives of an out of business news service or photographic archives, a photograph can have stamps from two different time periods.

With some exceptions, if there is a UPI stamp on the photograph without an earlier stamp or original caption tag see next chapterit is safest to assume the photograph was made or after. If an address in the stamp has a 5 digit zip code, the stamp itself is from or after. The 5 digit zip code was introduced in the US in If there are two stamps on a photograph and one conflicts in date with the other, the earlier date is the most reliable.

If the stamp conflicts in date with an original and unaltered lunch bag brown paper tag, the paper tag should be considered more reliable. A stamped date of, for example, July 7th means the photograph is at least that old. If there are different date stamps which will happen, as photographs were occasionally reused for printing or recataloged over the yearsthe photograph is at least as old as the earliest stamp.

A vintage date stamp on a photograph is highly desirable as it is strong evidence the photo is old. Eugene Richee is a popular photographer and his name raises the value of the photo. The American Press Association was an old time photo service, with its stamp also helping show the old age.

The back has an MGM movie studio stamp a number of different dates. The earliest date substantiates the photo is from the s. The old stamp and brown paper tag show that the photograph is vintage.

Some press photos have paper tags, often called paper captions or bio sheets. The tags are usually affixed to the back, but can be found on the front. These tags are helpful as they can help identify and date the photograph.

Many press photos have both a paper tag and a stamp.

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The original old tags on news service photos and many other old press photos usually are lunch bag brown paper, having turned that color with age. The older, the darker and more brittle. The text was typed or teletyped. Teletyping looks much like typing but has a slightly different font. In either case, the printing is usually black, but also can be dark blue or purple. The tags were flimsy and easily removed and it is common to see the brown paper remnants from where the tag was glued.

In more modern times, tags are typically made of white paper, but can be found in yellow and other colors. A few tags from as early as the s can be the modern bright yellow, though companion stamps from ACME or other news services will confirm that the photo is old. As the paper tags can easily be removed, and sometimes placed on other photographs, the tag cannot be considered totally reliable. For any press photo, a brown paper tag is evidence of old age. If there are the brown paper remnants still stuck to the back of a news service photograph, this is evidence the photo is old.

The newspaper editors and printers sometimes removed the paper captions during the production process. Thus news photos can be found with paper brown remnants where the caption once was, or with the caption hastily re-glued or taped back on. The strip is light brown similar to other old caption sheets. The lower left has a stamp from the photo service, Culver Service. Most caption tags were originally yellow though sometimes white and even bluebut turned brown over the years.

The photo has the in-the- image caption and oversized left border. Some wirephotos were re-sent, which means that both the source and the received photos can be wirephotos. This can make things complicated. Luckily, as the following described qualities show, wirephotos are easily identified and dated.

The original photograph will be more desirable than the wirephoto copy. Originality is itself a prized quality and the original will have better image clarity. However, wirephotos are popularly collected and examples of significant events can be valuable.

They sometimes have paper tags. Some people compare the distance between various facial features eyes, nose to see if they can find a match, but since this is a baby picture, it is doubtful it will work.

Hope you solve this puzzle some day. Nice site! It is Thanks for any info. Unfortunately I am unable to tell you much. Try getting an expert to examine it as hand coloring started very early. It would also be important in determing the proper care.

Please follow up when you learn more about it. It is available as a free or as a print-on-demand book. Some mats and cases were used for only a brief time, allowing you to date some early photographs to within a year.

The dates provided are based on my own research, a five-year labor of love, where I located nearly 5, objectively dated early photographs. This book would not have been possible without the assistance of the many institutions, collectors and antique dealers who shared their expertise and their dated images, provided illustrations, and made many suggestions and corrections.

Thank you, all. I was wondering if that dates from the design itself or is just a playful tag added by the author. Yes, a playful tag. I am the author. With a thousand designs to keep track of, I needed to give them distinctive names which I could remember. Some of the case names are puns. So far, no one has called me on that. Your email address will not be published. Save my name, email, and website in this browser for the next time I comment.

This site uses Akismet to reduce spam. Learn how your comment data is processed. By Mary Harrell-Sesniak October 14, Here is an advertisement for the Brownie camera from a Washington, D. Photographic Timelines To start, familiarize yourself with photographic timelines, such as the timelines available in the list of websites below. Tintypes Tintypes are another commonly-found type of photograph-although they were not created on tin.

Credit: Library of Congress Tintypes were often sold in a paper sleeve for protection. Next Post. In this article, Gena Philibert-Ortega explores a family history resource in old newspapers that may.

Thankyou Dawn. Dawn, This is an interesting challenge and one that may not be solvable.

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